![]() ![]() In addition, we have also excluded any films with fewer than four reviews from critics (our minimum required for calculating a Metascore)-a group that mainly includes direct-to-video features (including, by the way, most of the previous Barbie movies). In the gallery on this page, we rank over three dozen such films from worst to best according to their Metascores, which represent the consensus views of leading professional film critics.Īll of the films are based on pre-existing toys-including tabletop games and trading cards-though we have omitted any films for franchises that were already well established as television shows (or comics) prior to becoming toys. While some of those adaptations have been dismissed as nothing more than feature-length toy commercials, others have been successful in spite of their origins. Thanks to all the judges and performers for showing us what works and what doesn't (and what REALLY doesn't) on stage, and how to emotionally engage our audiences.Greta Gerwig's new Barbie film may be getting all of the attention this month, but it's far from the first film to attempt to bring a children's toy line to the big screen. AI has been a great inspiration to me over the years, providing numerous examples for connecting speakers with principles of performance. going But it's better than knowing Oh this black soulless ocean Pulling me through the motions Craved and begged to be alone But now I'm lost at sea. I'm a little sad to realize that this is probably my last ever American Idol-inspired post. Yeah Riding through the city see a lot of soulless faces Tell me what are they chasing Money or the fame, greed brings pain I ain't in it for. Nor will they respond emotionally to your robotic flawlessness.īut an "inspired attempt?" Yes! Let's all seek to be inspired when we perform, and to inspire our audiences to take action in the process, by being true to who we are and fully embracing that person. There's not one speaker, singer, musician, politician or performer who benefits from exhibiting "soulless perfection." And your audience certainly doesn't benefit. Keep working, keep reaching, keep blossoming.Īnd in the meantime, your #1 goal is to be real, to be 100% YOU, and to connect with the audience in your own genuine style, with your own genuine personality. Sign up to get unlimited songs and podcasts with occasional ads. ALL SYNC ISSUES ARE ONLY IN THE VIDEO AND NOT IN THE ACTUAL CHARTThis is soulless 1, soulless 2, soulless 3, soulless 4, soulless 5, and soulless 6 back. You have plenty of time to grow and improve as a speaker. Listen to Breathless and Soulless on Spotify. ![]() You're not as funny as the next guy? Your stories could use some work? Your knowledge still has some holes? You're still gaining experience and don't come across as polished as some others who've been in the trenches longer? But what Dalton and others demonstrated was that a performer who doesn't necessarily have the best skills can overcome those limitations with personality and connection.Īs Keith Urban said after one of Dalton's performances: "I'd always take an inspired attempt over soulless perfection any day of the week." Guess what people were voting on (besides the singing): Connection.Īh yes, there it is again. And as Simon Cowell used to remind us (frequently), "This is a singing competition."īut no, singing ability was not the top concern of the judges or the millions of fans who voted each week. But he didn't have the chops of season 15 top two performers La'Porsha Renae or Trent Harmon. Sure, he's cute, and he's got a great look for the stage. Here's the thing about Dalton, and about many of Idol's top contestants over the 15-year run of the show: He was imperfect. In fact, the judges came up with a new word for Dalton's take on each week's song: "Daltonized." Anyone who watched the final season of American Idol will recall Dalton Rapattoni, the blue-eyed, blond-haired, baby-faced, guy-liner-wearing rocker who took third place in the show's final competition.ĭalton was memorable for his unconventional delivery of surprising song choices, like show tunes "The Phantom of the Opera" and "Hopelessly Devoted to You," which he performed in his own unique style. ![]()
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